Malfunctions, fires, and breakdowns have served as the climaxes for your videos in the past. A question generally remains whether these moments are liberating or futile. At times you seem enamored by the possibility of disorder and entropy, but there also appears to be some doubt whether the idea of spiritual escape might be another pre-packaged stock experience like a touristic vacation with its equally regimented ideas of "exotic" biomes. More recently the videos are becoming allegories of our media relationships. They show how images have become our primary sites for experience. Actors watch ever-present screens, demanding us to take the perspectives of others and to confront what others see and how they see it.

These screens take the form not only of TV monitors, but also aquariums, vitrines, and windows. TVs dissolve into glows with the sounds of spectacle as our only remaining indicators. While the commercial entertainment you appropriate allows only certain narratives, the "live" frames you find seem to show alternative relationships to fantasy that invite more empathy. Watching someone else's TV through their window raises the question of where spaces for fantastic projection exist, where do we live our sanctioned imaginary lives?