After living with Jennyfer and Stephen's work for several weeks I've come to some conclusions that weren't apparent to me initially.

Stephen Decker's sound work changes the architecture of a space without changing it physically. He makes you feel other areas of the room that you aren't in. A room can be made to feel lop-sided through sound. When we began talking about this project he told me: Jennyfer Haddad's performance, which entails refreshing a different “extra,” a fish eye, for 50 days, feels both like a pill regimen and a religious counting ritual. Her work challenges what can count as a character, and whether a character alone can constitute a performance. I think Haddad and Decker's work can be thought of as ecosystems, where the artist's role is to initiate live processes that can have their own autonomy.